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Williams, Brady NoonДЇriends Max, Lucas, and Thor enter sixth grade facing their own personal dilemmas: Max has a crush on classmate Brixlee, Lucas learns his parents are getting divorced, and teasing from his peers discourages Thor from pursuing his love of singing. Indeed, it's strange to see a Bad Boys film wager so much on a dramatic connection with its characters, considering one of the strengths of Michael Bay's worldview - even if it's not your thing - was his seemingly delirious contempt for humanity, which at the very least resulted in films, writ especially large in the mayhem of Bad Boys II, that were pure manifestations of a nastier, turn-of-the-millennium American id.Jacob Tremblay, Keith L. 'Everybody's way too serious,' Lowrey chides the super-organised, distressingly well-adjusted millennial team.

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( Supplied: Ben Rothstein/Sony Pictures)ДЄrbi and Fallah, working from a script credited to Chris Bremner, Peter Craig and Joe Carnahan, leaven the heavier themes with a fresh new crew assigned to track the bad guys, a high-tech millennial team known as AMMO - including cocky hotshot Rafe (Charles Melton), beefcake hacker Dorn (Alexander Ludwig), and crack soldier Kelly (Vanessa Hudgens, sporting a very becoming side-swept braid) - who use drones, rubber bullets, and ageist wisecracks to get the job done. Meanwhile, a visibly portly Burnett is angling for a life of quiet retirement and quality time with his wife (Theresa Randle, completing her quarter-century, eye-rolling sentence as 'nagging spouse'), a routine that feels like an odd fit on the erstwhile comedic Lawrence, last seen dropping by for one of 2019's most hilarious, unsung cameos in Harmony Korine's The Beach Bum.Д«urnett's newly-minted grandpa status and Lowrey's sudden, bracing brush with death drives the two best pals even further apart, with the former doubling down on retirement and the latter hell-bent on exacting vengeance on his would-be assailant.Д«elgian directors Adil El Arbi and Bilall Fallah describe themselves as lucky fanboys of the Bad Boys franchise. Playboy Lowrey might be mainlining another brand new Porsche and forever scanning for single ladies, but a secret mid-life crisis means he's dyeing his signature goatee (leading to one of the film's best gags) and wondering if the detective he broke up with, Rita (Mexican star Paola Nunez), might be the one that got away. Joe Pantoliano's highly strung Captain Howard is the mastermind behind elite high-tech police unit AMMO.

Old man jokes abound like so many expanding waistlines as we reconvene with our heroes, who are still on the city's crime beat and under the exasperated command of Captain Howard - a tireless Joe Pantoliano, still hamming his way through a masterclass in disgruntled boss cliche - as the vagaries of middle-age begin to descend upon them.

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LoadingДЄnd while the belated instalment could never hope to match the glorious, stylistic hubris of its predecessors - which turned the art of slow-mo, low-angle action into vulgar, transcendent poetry - incoming Belgian directors Adil El Arbi and Bilall Fallah deliver a mostly satisfying coda, paying tribute to the master's kinetic formalism while playing a heavy hand of sentiment that's on brand for a series which has never exactly been subtle. Yep, Miami PD's kings of collateral damage are back bickering and blasting their way through this distant sequel to Michael Bay's Bad Boys (1995) and Bad Boys II (2003), minus the director who made the series his trademark.

His gung-ho, action junkie partner Mike Lowrey (Will Smith) is swift to shoot him down: 'Who the hell wants to sing that song?' 'All our lives we've been bad boys, now it's time to be good men,' says middle-aged detective Marcus Burnett (Martin Lawrence), confronted with a violent suspect itching for a brawl halfway through Bad Boys for Life.